Henry Delétra Hanna (b. 1978, Barranquilla, Colombia) is a Swiss-Colombian visual artist based in Geneva, Switzerland. He reveals the world to us—not only the concrete reality we all perceive, shaped by well-defined physical laws, but also another layer: a surreal, kaleidoscopic dimension where various elements exist together on the same level, arranged like a sandwich or constructed like a totem.
Working across painting, drawing, photography, video, ceramics, and research-based practices — from anthropological methods to interviews and shamanic quests — he develops a body of work as multifaceted as the subjects he explores. Moving freely between mediums, he lets each idea determine its form, seeking the most precise way for the work to speak.
His work has been presented in numerous solo exhibitions in Switzerland, including Madame Tonantzin (Halle Nord, Geneva, 2017), MUNDO, PIEDRA, PAPEL (Geneva, 2015), and KŪN (Espace eeeeh!, Nyon, 2019). His works are part of the Collection of the Fonds d’art contemporain de la Ville de Genève (FMAC), and he has published several artist books, including Weight Lifting and Totems (2009) and Cuadernos (2018).